Pollès was born in Paris in 1945. Like Leonard da Vinci in an anatomical search of perfection, of representation of movement, with an almost scientifically or medical glance, Pollès holds the utmost passion of anatomy: he learns about the human body, the complicated hank of muscles, movements of members and all the bodily mechanics. That’s why in 1964 he starts medicine school and along side goes to the Charpentier Academy where he follows art lessons.

In 1966, he encountered sculpture in London where he was invited by his friend Enzo Plazota. This final step teaching him all the basics of sculpture. Pollès then decides to go to live in Italy in Carrare, an important art place. He moved in 1970 and settled in Pietrasanta where he's still living.

His sculptures, by creating a vision of the moving beings, polished and smoothed, break the pureness of aestheticism. He just knows one theme, one model – the female form. According to Pollès, this is the most beautiful form, the most harmonious one. “When we are looking at a feminine body, it is splendid, it is musical”.

Pollès于1945年出生于巴黎。就像Leonard da Vinci在解剖学上寻求完美,运动的表现,几乎是科学或医学的一瞥,Pollès拥有解剖学的最大热情:他学会了人体,复杂的手杖肌肉,成员的运动和所有的身体力学。这就是为什么在1964年他开始上医学院,并一起去Charpentier学院,在那里他学习艺术课程。 1966年,他在伦敦遇到雕塑,并受到他的朋友恩佐·普拉佐塔的邀请。这最后一步教他雕塑的所有基础知识。 Pollès随后决定前往意大利卡拉雷(Carrare)居住,这是一个重要的艺术场所。他于1970年搬到了Pietrasanta,并在那里居住。 历史雕塑通过创造移动生物的视觉,抛光和平滑,打破了唯美主义的纯粹。他只知道一个主题,一个模型 - 女性形式。根据Pollès的说法,这是最美丽的形式,也是最和谐的形式。 “当我们看一个女性的身体,它是出色的,它是音乐剧”。