Wilhelm Senoner is italian sculptor , was born in 1946.
His figures often sit cross-legged. They appear flat to anyone who only studies them from the front, without changing perspective. However, they do, in fact, boast unusual depth, an original dimension, which gives substance to their appearance.
Wilhelm Senoner's sculptures are wellknown moulds of Cubism, Surrealism, Constructivism and Pop Art . In a kind of figurative oxymoron, the works of Senoner appear ambiguous and transparent, simple and complex, soft and sharp-cornered, cast and winning. Although not the only subject, the female figure is certainly the epicentre of Senoner's art, with poetry and inspiration. Starting from the gothic mould, Senoner pushes himself to embrace "ideal classicism". Not by chance do his themes mainly depict human figures. And the setting for his works is no chance either, as they are always displayed on pedestals, evoking references to thestage.
Another important aspect of Senoner's art is nature, namely plant and animal images. Through his world of plant and animal shapes, the artist shows a certain fondness for stimulating the observer's curiosity, not so much to lead it to an illusionist escape from reality but rather towards a seismographic surface on which to project whose aim is to contrast with the rational, paradoxically disquiting, tables of statistical data and risk calculations. The semantics of an ambivalent system are thus disclosed in the synthesis of emotion and reflection.
Wilhelm Senoner是意大利雕塑家，出生于1946年。 他的人物经常盘腿而坐。对于那些只从头开始研究它们而不改变视角的人来说，它们看似平平。然而，它们实际上具有不同寻常的深度，原始的尺寸，使其外观具有实质性。 Wilhelm Senoner的雕塑是立体主义，超现实主义，建构主义和波普艺术的众所周知的模具。在一种比喻性的矛盾中，Senoner的作品显得暧昧透明，简单而复杂，柔和锐利，投射和获胜。虽然不是唯一的主题，但女性形象肯定是Senoner艺术的中心，具有诗意和灵感。从哥特式模具开始，Senoner推动自己拥抱“理想的古典主义”。他的主题并非偶然，主要描绘了人物形象。而且他的作品的设置也没有机会，因为它们总是显示在基座上，引起对舞台的引用。 Senoner艺术的另一个重要方面是自然，即植物和动物图像。通过他的植物和动物形状的世界，艺术家表现出一种对刺激观察者的好奇心的某种喜爱，而不是引导它走向幻觉主义者逃离现实，而是走向一个地震表面，在其上投射的目的是与理性的，自相矛盾的，统计数据表和风险计算表。因此，在情感和反思的综合中公开了矛盾系统的语义。